Subject: Re: remix?
From: Arun Chandra (email@example.com)
Date: Fri Jul 16 1999 - 02:29:09 EDT
> A dance music remix [by definition] attempts to stay true to musical essence
> of the original - the elements that are generic to the dance genre
> (particular rhythmic and formal patterns/structures/processes) do not
> constitute this "essence" and hence are open to variation (within bounds) as
> the remixer feels fit.
This is silly: a definition to stay true to a musical "essence" by excluding
its constituent parts.
"Remixing" is the PhotoShop of acoustic composition: add a little from
here, throw in something from there, and then, Dig it! mix in a beat
and you have: thoughtless, desireless sound.
A "beat" makes continuous any stream of fragments, so:
the beat is the cement for blocks of sound (or blockheads of sound).
Hanns Eisler (one of Schoenberg's students who wrote a number of
12-tone pieces) wrote somewhere that 12-tone music allowed composers
four new ways to be stupid: you could have stupidity forwards,
stupidity backwards, stupidity inverted, and stupidity backwards
Nowdays, the same applies to the "beat" ---
(except when you retrograde or invert the beat, you get the same
stupidity: let's hear it for progress in musical thinking!)
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