(Fwd) Organised Sound


Subject: (Fwd) Organised Sound
From: TerraGizmo (healy@pobox.upenn.edu)
Date: Tue May 11 1999 - 20:14:43 EDT


>From: "David Worrall" <drw@stimpy.anu.edu.au>
>Date: Wed, 12 May 1999 09:51:48 -0500
>To: cecdiscuss@concordia.ca
>Subject: (Fwd) Organised Sound
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>
>--- Forwarded mail from Tony Myatt <tone@cage.york.ac.uk>
>
>Sender: tone@cage.york.ac.uk
>Date: Tue, 11 May 1999 17:15:13 +0100
>From: Tony Myatt <tone@cage.york.ac.uk>
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>To: "Music-Research@comlab.ox.ac.uk" <Music-Research@comlab.ox.ac.uk>,
> "csound@maths.ex.ac.uk" <csound@maths.ex.ac.uk>,
> "pcsound@maths.bath.ac.uk" <pcsound@maths.bath.ac.uk>,
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> "dalfarra@clacso.edu.ar" <dalfarra@clacso.edu.ar>,
> "os@cage" <os@cage.york.ac.uk>
>Subject: Organised Sound
>
> Organised Sound
> An International Journal of Music and Technology
>
>
>Volume 4, Number 3
>Issue thematic title: Breaking the Boundaries
>Date of Publication: December 1999
>Publishers: Cambridge University Press
>
>Articles to be considered for publication in the named issue are now
>invited.
>
>Volume 4/3 is to investigate the theme "Breaking the Boundaries". Too
>many decade thresholds (or "centuries", or "millennia" if you prefer)
>have stimulated change, not only in the arts but in many other aspects
>of society, politics and economy.
>
>Are we, the community of electroacoustic music and music
>technology, satisfied with our music, our scholarship, our technological
>
>developments or our relationship with society at large?
>
>Organised Sound invites you to document your vision of where we might
>go from here in any area of music involving technology, or of technology
>
>involving organised sound.
>
>Submissions can be in written, graphic or sonic form. What artistic
>and technological boundaries are fixed or due for removal in the
>future? Is there anyone ahead of his/her time in our field these days?
>
>SUBMISSION DEADLINE: 1st August 1999
>
>SUBMISSION FORMAT
>
>Notes for Contributors can be obtained from the inside back cover of
>published issues of Organised Sound or from:
>
>http://www.cup.cam.ac.uk/journals/oso/osoifc.htm
>
>TIMETABLE for SUBMISSIONS
>
>Articles and other material for the editors' consideration should be
>submitted
>by 1st August 1999. Hard copy to:
>
> The Editors,
> Organised Sound,
> Department of Contemporary Arts
> Crewe+Alsager Faculty
> Manchester Metropolitan University
> Hassall Road
> Alsager
> Cheshire ST7 2HL, UK.
>
>Email submissions should be mailed to (please see SUBMISSION FORMAT
>above):
>
> os@cage.york.ac.uk
>
>
>Further details about Organised Sound are available at:
>
>http://www.cup.cam.ac.uk/Journals/JNLSCAT/oso/oso.html
>
>
>Editors: Ross Kirk, Leigh Landy, Tony Myatt, Richard Orton.
>Corresponding Editors:
> Lelio Camilleri, Daniel Oppenheim, Miller Puckette, Barry Truax,
> David Worrall
>International Editorial Board:
> Marc Battier, Francois Bayle, Peter Castine, Alcedo Coenen,
> Francis Dhomont,Simon Emmerson, Rajmil Fischman, Takayuki Rai,
> John Rimmer, Jean-Claude Risset, Francis Rumsey, Conrado Silva,
> Christiane Ten-Hoopen, Daniel Teruggi, Jukka Tiensuu,
> Trevor Wishart, Scott Wyatt, Iannis Xenakis.
>
>
>
>---End of forwarded mail from Tony Myatt <tone@cage.york.ac.uk>
>
>--
>___________________________________________________
>Head, Australian Centre for the Arts and Technology
>Australian National University
>President, Australasian Computer Music Association
>
>GPO Box 804 Canberra Australia 2601
>'phone: +61 2 6249.5640 Fax: +61 2 6247.0229
>email: David.Worrall@anu.edu.au
>http://online.anu.edu.au/ITA/ACAT/drw/
>___________________________________________________
>

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John Phillips/Carolyn Healy: EMusic- Installation Art Website:
http://terragizmo.net



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