Re: call for papers


Subject: Re: call for papers
From: neil.wiernik@utoronto.ca
Date: Wed Apr 28 1999 - 13:43:02 EDT


Darren or any one else who might know....

Can I get the info. on this "radio studies list"?
Sounds like it would be of interest to me.

Neil....

On Wed, 28 Apr 1999, Darren Copeland wrote:

> Forwarded from radio-studies list... respond to appropriate party indicated
> below.
>
> - Darren
>
> >I though listers might be interested in this call-. Rebecca Coyle who
> >appears on the list of reviews for the current issue-was involved wuith
> >peter Lewis , myself and others producing 'Relay ' magazine (about community
> >radio ) in the eighties ...Caroline Mitchell
> >
> >
> >Convergence: The Journal of Research into New Media Technologies
> >*CALL FOR PAPERS*
> >
> >The Summer 2000 issue of Convergence (vol. 6, no. 2) will be a special issue
> >on
> >
> >Synthesisers, Sound and Music. Contributors are invited to submit papers on
> >any
> >aspect of the relationship between synthesisers, sound and music in audio
> >and/or
> >audio-visual media over the last 50 years.
> >
> >Copy deadline for refereed research articles: 30 October 1999
> >But expressions of interest are encouraged as soon as possible as several
> >papers
> >are already under consideration.
> >
> >All proposals and submissions for this special issue to:
> >
> >Philip Hayward,
> >Director of the Centre for Contemporary Music Studies,
> >Macquarie University,
> >Sydney,
> >NSW 2109,
> >Australia.
> >
> >phone: +61 2 805 7111
> >fax: +61 2 9850 9245
> >email: phayward@humanities.mq.edu.au
> >
> >All other inquiries, proposals for articles or completed papers should be
> >sent
> >to: Julia Knight or Alexis Weedon, Editors, Convergence, Dept of Media Arts,
> >
> >University of Luton, 75 Castle Street, Luton, LU1 3AJ, United Kingdom. Web
> >site:
> >www.luton.ac.uk/Convergence Tel: +44 1582 734111, fax: + 44 1582 489014,
> >email:
> >
> >Convergence@luton.ac.uk
> >
> >*LATEST ISSUE*
> >Spring 1999 (vol. 5 no. 1)
> >Contents
> >
> >Debates
> >
> >Peter Braunstein
> >The Case for Lateral Thinking: Discerning New Thought Patterns in the
> >Contemporary Info-Sphere
> >
> >Christie Carson
> >Digital Resources: Do They Entrench or Enliven the Canon?
> >
> >Articles
> >
> >Amy Bruckman
> >The Day After Net Day: Approaches to Educational Use of the Internet
> >
> >Philip Hayward
> >Inter-Planetary Soundclash: Music, Technology and Territorialisation in Mars
> >
> >Attacks!
> >
> >Marjorie D. Kibby
> >The Didj and the Web: Networks of Articulation and Appropriation
> >
> >Feature Reports
> >
> >Dan Fleming
> >Wired Scholarship: The Invisible College Revisited
> >
> >Ted Krueger
> >Intelligence and Autonomy
> >
> >Reviews
> >
> >Rebecca Coyle
> >Resounding Technologies
> >Joel Chadabe, Electric Sound: The Past and Promise of Electronic Music; and
> >Paul
> >Theberge, Any Sound You Can Imagine: Making Music/Consuming Technology
> >
> >Margaret Morse
> >The Beat Goes On: Materialist and Embodied Approaches to the Virtual
> >Sean Cubitt, Digital Aesthetics; and John Wood (ed), The Virtual Embodied:
> >Presence/Practice/Technology
> >
> >Micheline Frenette
> >Media, Education Culture: A Series in Search of Direction
> >Sue Howard (ed), Wired-Up, Young people and the electronic media; and J.
> >Sefton-Green (ed), Digital diversions, Youth culture in the age of
> >multimedia
> >
> >Bruce C. Klopfenstein
> >The New Internet Math: Webonomics
> >Evan I. Schwartz, Webonomics: Nine Essential Principles for Growing Your
> >Business
> >on the World Wide Web
> >
> >Mary C Dyson
> >Artworks for Learning
> >Masterworks for Learning: a college collection catalogue, Allen Memorial Art
> >
> >Museum
> >
> >*****************
> >
> >
> >
> >
> >
> >
>



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