Re: vocal transformation in early film


Subject: Re: vocal transformation in early film
From: kathy kennedy (kathyken@alcor.concordia.ca)
Date: Sat Nov 19 2005 - 20:38:50 EST


Ian, Have you looked much into Charles Dodge? He did alot of stuff
and fairly early.
kk
On Nov 18, 2005, at 3:14 PM, Ian Chuprun wrote:

>
>
> David Mooney/Maxine Heller wrote:
>
>> Seems to me Carlos Chavez discusses the use of variable speed
>> turntables (or perhaps of their potential) for this purpose in his
>> 1937 book _Toward a New Music_. I don't have a copy so can't look
>> it up--if you consider such manual manipulation as "processed."
>>
>
> You bet. I dont have the book either, but I am looking for examples
> of _pieces_ where human voice undergoes any one of the classical
> tape studio techniques (tape loop, cutting/splicing, speed change,
> direction change, tape delay, layering) from before 1950 (if this
> is possible;-). Dropping in a voice in a collage is not really what
> I am on about though, hence Weekend not being included in my survey.
>
> Thanks for the Chavez tip!
>
> Ian
>
>
>
>
>
>> At 12:15 PM 11/18/2005, you wrote:
>>
>>> Come to think of it, are there any pieces in the history of ea
>>> from before 1950 that use processed voice?
>>>
>> David Mooney: dmooney@city-net.com
>> Maxine Heller: mheller@city-net.com
>> Opaque Melodies: www.city-net.com/~moko/
>>
>
>
>
>



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