Re: [Fwd: Re: KA's EA]


Subject: Re: [Fwd: Re: KA's EA]
From: James Phelps (jimphelps_niucms@yahoo.com)
Date: Wed Nov 09 2005 - 18:10:16 EST


I thought the mic'd voice was involved also in good
ole'-fashioned speaker feedback too.

-Jim

--- Larry Austin <larryaustin@grandecom.net> wrote:

>
>
> Yes, of course, Ashley's "Wolfman", though it
> combined
> pre-recorded tape with live voice in a feedback
> loop. There
> were probably quite a number of tape pieces in that
> period
> that used feedback as sonic material...my own
> "Roma" (1965)
> is an example.
>
> Larry
>
> James Phelps wrote:
>
> > How about Ashley's "Wolfman" ... '64 ... performed
> > live that same year?
> >
> > -Jim
> >
> > --- Larry Austin <larryaustin@grandecom.net>
> wrote:
> >
> > > The earliest (first?) live-electronic, ea piece
> to
> > > use a feedback
> > > circuit was, I believe, David Behrman's "Wave
> Train"
> > > (1967), whose
> > > score was published in Source, Vol. 2, No. 1,
> with
> > > an LP recording
> > > included with Source, Vol. 2, No. 2....a
> wonderful
> > > piece to hear and
> > > to perform.
> > >
> > > Larry Austin
> > >
> > > John Kamevaar wrote:
> > >
> > > > Loudspeakers eh?
> > > > Then I guess my first EA moment was in 196?,
> when
> > > George Harrison did
> > > > that opening note
> > > > with brief feedback..... What was it called...
> > > "She's A Woman"?
> > > > Recursion.
> > > > Anybody know who used feedback (mic or guitar)
> > > "first" in non-money
> > > > music?
> > >
> > >
> >
> >
> >
> > __________________________________
> > Yahoo! Mail - PC Magazine Editors' Choice 2005
> > http://mail.yahoo.com
>

        
                
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