Subject: Re: EA Performance Rights
From: Barry Schrader (email@example.com)
Date: Wed Nov 02 2005 - 15:44:10 EST
And if the composer is smart, she would have formed her own publishing
company and would collect 100% of the money, not just 50%.
> From: David Mooney/Maxine Heller <firstname.lastname@example.org>
> Reply-To: email@example.com
> Date: Wed, 02 Nov 2005 08:57:51 -0500
> To: firstname.lastname@example.org
> Subject: Re: EA Performance Rights
> If the work is registered with the performing rights organization it
> shouldn't matter whether it has been commercially released or not.
> ASCAP assigns 50% of royalties to the composer (or group of creators)
> and 50% to the publisher. If the work is registered and the venue
> sends in the list, the composer should get her cut.
> At 05:21 AM 11/2/2005, you wrote:
>> If the work is not commercially published, is there still a need to
>> contact the relevant performing rights society? I thought the
>> composer should do this?
> David Mooney: email@example.com
> Maxine Heller: firstname.lastname@example.org
> Opaque Melodies: www.city-net.com/~moko/
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