Re: Intuitive EA Proformance Practice Research


Subject: Re: Intuitive EA Proformance Practice Research
From: lawrence casserley (leo@chiltern.demon.co.uk)
Date: Thu Oct 13 2005 - 15:22:26 EDT


But this is not really true with the piano, for example; whatever
feedback there is comes from the mechanical behaviour of the keys. Yes,
of course, performers learn to associate that with the sonic result,
but there is no direct mechanical feedback from the sound itself.

Best

L

On 13 Oct, 2005, at 18:33, Rick wrote:

> These things change whenever a different part, and therefore a
> different sound, of the instrument is needed. That change is
> consistant throughout the time the instrument is practiced with. It's
> hard for me to believe that it's possible to do that without realtime
> physical feedback tying the body to the ears. That's a helluva lot of
> neural real estate being chucked out the window.
>
Lawrence Casserley - lawrence@lcasserley.co.uk
Lawrence Electronic Operations - www.lcasserley.co.uk
Colourscape Music Festivals - www.colourscape.org.uk



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