Re: fission


Subject: Re: fission
From: miriam clinton (iriXx) (iriXx@iriXx.org)
Date: Tue Oct 26 2004 - 22:08:50 EDT


Bach in effect does this - its the accentuation of a seperate melody in
distances at least nearly an octave or so apart. if you're um, lucky
enough to have a voice like mine you can do it.... ;) its also all in
the articulation...

mC~

Michael Gogins wrote:

> I would think that a solo instrument can hocket in at least one way.
>
> The obvious way is to play a theme without hocketing, then hocket it
> by playing alternate notes with distinctly different timbres or
> articulations. Transposing one of the hockets would also distinguish
> them. These techniques might even work without playing the theme whole
> first.
>
> A differential hocket where each hocket repeats, but with different
> periods, would also signal the hocketting.
>
> ----- Original Message ----- From: "Rick Nance" <rnance@dmu.ac.uk>
> To: <cec-conference@concordia.ca>
> Sent: Tuesday, October 26, 2004 6:29 PM
> Subject: Re: fission
>
>
>> I'm used to calling it stream segregation I guess. That might be the
>> best search phrase.
>>
>> "stream segregation" music fission in google comes up with some
>> links. but I think I like your selection better. The Bach solo flute
>> peices are pretty good demonstrations.
>>
>> Try Tellemann though. Or maybe Fred Frith.
>>
>> can a solo instrument hocket?
>>
>> r
>>
>>
>>
>> Prof Malone wrote:
>>
>>> i was actually thinking of the psychoacoustic phenomenon of melodic
>>> streaming by frequency proximity and tempo
>>> the term was coined by Van Noorden
>>>
>>> i have been using the bach cello suites
>>> but i am looking for more varied examples
>>
>>
>
>
>
>

-- 
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--Eminem

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