Subject: Re: ¿equipmen for multichannel playback?
From: Philippe-Aubert Gauthier (Philippe-Aubert.Gauthier@USherbrooke.ca)
Date: Mon Sep 06 2004 - 08:34:02 EDT
My experience ...
With the Fraunhofer wave field system that I had used, it was 4 synchronized PC
rendering in real-time over 88 channels. No crash for at least 10 days of 8~12
hours of work each day, but it was Linux. The 4 soundcards where all hammerfall
from RME (if my memory is good!). The only bug was some sort of buffer "under
run" which was related to the software, this was only for the last day. I
suppose that was a simple problem, having some reference should have surely fix
the thing very easily.
At this time, I was experiencing more problem with an Sony 16/32-channel DAT
recorder only working with 8 channels!
Somebody have experienced simple multichannel wave file playback on Linux? It
seems incredibly stable, at least from my experience.
Have a nice day,
Selon Coryn Smethurst <firstname.lastname@example.org>:
> I've had powerbook crashes with an RME playing back 8 channels live, but at
> least you can reboot, when ADAT's go wrong your stuffed - and they do not
> appear to be the most reliable of playback devices ...
> on 5/9/04 17:30, Kevin Austin at email@example.com wrote:
> > Hi
> > We've done multi-channel for some 15 years and this year we're
> > organizing a symposium around the issue of eight-channel pieces.
> > http://www.istop.com/~electro/en/info.html
> > This is not sound projection (diffusion) of stereo pieces, but using
> > 8 speakers as 'point source', discrete channels. The playback and
> > transport of pieces is as yet largely undefined in the community. The
> > path we've taken for playback is the safe one: ADAT. It's old
> > technology, but it is "out there", and relatively solid. We also have
> > DA-88 available.
> > Getting the pieces is a whole other story! Many people do not have
> > 8-channel facilities, but work in 8-channels, and play back from
> > their computer, but this doesn't travel well.
> > Works have come in as data files on CD and the technical team is
> > transfering them to ADAT for archiving and concert use. It's a bit
> > time consuming, but we can be assured of a much easier concert
> > presentation.
> > There are a large number of other issues related to speaker
> > placement, audience placement and even more so, acoustical
> > considerations, but these are for the symposium, and other threads.
> > Best
> > Kevin
> > At 15:22 +0100 2004/09/05, Duncan wrote:
> >> Hello
> >> I'm involved in curating a show of multi-channel sound works, to
> >> take place in an old London music-hall.
> >> We want to design a sound system for the space, which we anticipate
> >> would require between 8 and 16 channels of audio, to project the
> >> pre-recorded pieces.
> >> ÀDoes anyone have any ideas re: equipment to play back the work?
> >> I myself have produced my own multi-channel works running off a
> >> laptop with an RME multichannel interface, but I wondered if there
> >> might be better options, since computers have the habit of crashing
> >> etc and can be a bit unreliable?
> >> ÀAre there any harddisk recorders out there at the moment with
> >> multiple inputs/outputs? - so that works could be dumped as
> >> multichannel pieces onto the machine, and played back with each
> >> track assigned to a discreet (sic) output?
> >> Or any other ideas?
> >> Any advice much appreciated.. Duncan
> >> Duncan Whitley
> >> W: shotgunsounds.com
> >> E: firstname.lastname@example.org
% Philippe-Aubert Gauthier, B.Ing, M.Sc. %
% Étudiant au doctorat en reproduction de champs acoustiques %
% GAUS (Groupe d'Acoustique et de vibrations de l'Université de %
% [ Sherbrooke) %
% CIRMMT (Centre for Interdisciplinary research in Music, Media %
% [ and Technology) %
% http://www3.sympatico.ca/philippe_aubert_gauthier/acoustics.html %
This archive was generated by hypermail 2b27 : Sat Dec 22 2007 - 01:46:03 EST