paysage sonore / sound journey - ea - rap & tap cont'd


Subject: paysage sonore / sound journey - ea - rap & tap cont'd
From: macCormac (macCormac@shaw.ca)
Date: Thu Jul 01 2004 - 14:01:42 EDT


good morning / afternoon dearest & most beloved
Professor In a Daze / CEC / BBC / CBC / ABC / ZBC . . .

quest ka cest Paysage Sonore = Journey Sound / Sound Journey / Sound
Passage . . . ? ... is there an accent missing ie Paysage Sonoré .... ?
.... Payságe Sonore .... ?

gratsi / merci purr dis infinite la info contemporáre ;-) regarding rap
& tap / reap & sow / electroacoustic composition as dis tinct from other
genres by technique / monkey ... and subsequent dis cussions during said
conference . . . bravo . . . i am reading with zest and earnst . .
sorry to hear mr handy man is not up for a long winded philosophical
passage sonore (yet). Hopefully Monsieur Eliot will feel th wind coming
on and feathers will be fluffed (just) enough to continue leaping /
flying into another great (electroacoustic) debate / divide / divers /
diverse / diversity / derivations / definitions / aesthetic perspectives
/ teleological / timbres / about time and beat / technology & th human
condition of composing and 'perceiving' compositions . . . :-)

is iriXx / Madonna awake yet ? what's with th silence and th mixing
bored ? must be late in England . . . maybe they must be out having tea
at th sea side with th other english roses . . . ;-)

if an electroacoustic soundscape composition is (fill in th blanq = bad
or good) could you describe it as a 'paysagé d' snore / payáge o snoré ?

some of th most beautiful music is very calming and relaxing such as th
best in electroacoustic soundscape ... sound is signifier / signifire /
significant :-)
and of course then there's th jarring / noisy sounds that keep one awake
no matter what ... oops (looks who's talking) britttnnnyyy's alter ego .
. . ? . . .

think i'll throw myself into th pool / mixing board ... ;-) . . .
looking / listening forward to more dis cuss throwing / conference(s) .
. .

HAPPY CANADA DAY :-)

huy chewx a / thank you sincerely

slainté & best regards, sylvi macCormac (murphy's cousin)
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http://www.sylvi.ca / na / da / bc
soundscape & siwash rock
dj serious mc squared
rapper under cover (c)
dis abled in vaudeville
composer & producer

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UTS'AM / WITNESS song • sound • story
for John Clarke / Xwexwsélkn (1945-2003)

1 Sxwi7shenalkwlh / Deer Song (3:02)
Xálek' Sekyú Siyám / Chief Ian Campbell
2 All My Relations (2:14) Sandy Scofield
3 Plants (2:56) Veda Hille
4 Child of the Wind (4:08) Bruce Cockburn
5 Island (3:03 xrpt) Barry Truax
6 Carving Canoes: for th Wild (3:55)
sylvi macCormac
7 Broken Land (3:35) Sandy Scofield
8 Beneath the Forest Floor (3:20 xrpt)
Hildegard Westerkamp
9 Starwalker (3:03) Buffy Sainte-Marie
10 Red PercentX (4:00) Kinnie Starr
11 Midnight Forest Run (3:55) Shel Neufeld
12 Horizon (5:00) sylvi macCormac
13 Northern Loon (1:55) Anthony McNab Favel
14 Wind in the Cedars (2:00) Jeremy Williams
15 Witness: Round Journey with Squamish
Spirit, Jouney & Honour Songs (18:10) sylvi macCormac
16 Tkaya / Wolf Song (8:10)
Sp’ák’wus Slúlum / Eagle Song Dancers

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UTS'AM / WITNESS II song • sound • story
for John Clarke / Xwexwsélkn (1945-2003)

Story & Song - Aaron Nelson Moody
Western Front - Mae Moore
Beat the Drum - Sandy Scofield
Pause from Songs for E Carr - Veda Hille
Strings & Soundscape - Gordon Cobb
Feeling Reserved - War Party
Doing Time - sylvi macCormac
Canadian Rock / Canadienne Soul - Janet Panic
Canadian Electronic Skip Hop - Audio Lava
Journey of the Fingerlings (soundscape) - Robin Quirk
My Blood is Red - Aztlan Underground
Coastal Chants - sylvi macCormac
Story & Song - Slanay Spakwus / Eagle Song Dancer

Produced by sylvi macCormac
with T’Uy ‘Tanat / Cease Wyss
Slhánay Sp’ák’wus / Nancy Bleck
Telálsemkin Siyám / Chief Bill Williams

www.sylvi.ca • www.technomedicinewheel.org
www.nancybleck.com • www.squamish.net

(p) 2004 Uts’am / Witness
all proceeds to Uts’am / Witness
and the Wilderness Education Program (WEP)

www.utsam-witness.ca
www.wepbc.ca

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UTS'AM / WITNESS

Being called to witness in the Coast Salish
tradition is a sacred honour.

Bearing witness by a hired Speaker
carries responsibilities and duty.

As a witness they are to listen and watch
the work that is going to take place.

They are to carry the message back to their home community.

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http://www.sylvi.ca

sylvi macCormac works with voices, instruments and environmental
recordings from her own library as well as the archives of the World
Soundscape Project at Simon Fraser University, where she studies
composition with Barry Truax. In 1999 sylvi received the Marcia Award
for Electroacoustic Art at SFU and honourable mention at the 26e
Concours International de Musique Electroacoustique in Bourges France
for 'Waves of Kokoro'. AWOL in th sound field between BFA & MA.

if you have received / perceived this Email in light o transmission /
translation errors please contact but Don't make Fun o Canada Council /
Canada Post / CSiS (CanadianSoundintelligenceSociety) Undercover
Division
(Dept o Tools & Wheels ) for Verification of DIS absurd (bio) DATa
Electro-Acoustiqué (c & p) sylvi & see through publishing (www.socan.ca)

http://www.sylvi.ca / na / da / bc / siwash rock / squamish territory

photo id on www.SYLVI.ca - care of cet voilá artîste la loon o
Canadienne FrancoPhonoGraphers Vibránte Madame n Dextras -
http://www.dextrasdesigns.com -

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http://www.sylvi.ca / na / da / bc / siwash rock
cyberspacial home web by http://emptydesigns.com

DIS Claimer : th site provided by http://www.sylvi.ca is on an "as is"
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sylvi.ca will not be liable for any damages of any kind arising from the

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<

Subject: endangered species sounds
Date: Sun, 24 Aug 2003 14:50:16 +0200
From: Jens Gantzel <kontakt@jottwege.de>
To: acoustic-ecology@sfu.ca

Hello I'm looking for sounds of endangered species. If someone has got
recordings of wildlife animals, which may belong to this category,
please send a mail to me. Thank you. Jens
Gantzel

>



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