Re: Ultrasonics


Subject: Re: Ultrasonics
From: Kevin Austin (kevin.austin@videotron.ca)
Date: Thu May 13 2004 - 20:27:39 EDT


Pauline Oliveros used the bias frequency of analog tape recorders to
produce sidebands in (as I recall) I of IV (et al) composed in
Toronto in c 1966.

Best

Kevin

At 15:02 -0700 2004/05/13, Bret Battey wrote:
>I just read an article by Ron Kuivala in this regard in:
>
>Smith, Stuart Sanders and Thomas DeLio. 1989. Words and Spaces: An
>Anthology of Twentieth Century Musical Experiments in Language and
>Sonic Environments. Lanham, MD: University Press of America.
>
>-=Bret
>
>On May 13, 2004, at 1:49 PM, Coryn Smethurst wrote:
>
>>Does anyone know of any works using ultra-sound which has been
>>shifted into the audible range of hearing. Just curious as apart
>>from Alvin Lucier's use of bat detectors I don't really know of any.
>>
>>crrs



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