Subject: George Lewis's "Virtual Concerto"
From: Eliot Handelman (email@example.com)
Date: Thu May 06 2004 - 15:08:06 EDT
Allan Kozzin in today's NYT says:
`In George Lewis's "Virtual Concerto," the soloist was a computer-driven
its software programmed to "react" to aspects of the orchestra's
The comment is:
"Those works [...] were the most pleasing."
I've been searching the net in vain for more information as to what
"reaction" here implies. Anyone with more information about
what Lewis' system does?
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