Subject: Re: voice in electroacoustic music
From: Alistair MacDonald (a.macdonald@rsamd.ac.uk)
Date: Wed Nov 20 2002 - 07:02:25 EST
The Voice in Cinema (by Michel Chion)
Paperback ISBN: 0231108230 - 208 pages (March 1999) Columbia University Press;
On Sonic Art (by Trevor Wishart)ISBN 371865461 or (paperback) 37186547X
incorporates his Book of Lost Voices (1979)
A
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Dr Alistair MacDonald
Director, Electroacoustic Music Studios
Royal Scottish Academy of Music and Drama
100 Renfrew Street, Glasgow, G2 3DB
- - - - tel 0141 270 8302 - - - fax 0141 270 8352
- - - alistair@rsamd.ac.uk - - www.rsamd.ac.uk
- - www.sonicartsnetwork.org
-www.alistairmacdonald.co.uk
www.sensuousgeographies.co.uk
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>>> abergsla@frisurf.no 11/20/02 11:50am >>>
Hi!
Do anybody know of there is done any major works (that is in writing) on voice
in electroacoustic music? I am primarily interested in esthetic and analytical
issues, not the technology of processing / synthesizing in itself, but how we
as listeners relate to the more or less manipulated voices in EA works.
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