Subject: Fwd: Brazilian Conference
From: CEC (cec@vax2.concordia.ca)
Date: Thu Jan 04 2001 - 01:04:02 EST
>******** VIII Brazilian Symposium on Computer Music ********
>***************** 31 July 03 August 2001 *****************
>********************* Fortaleza, Brazil *********************
>
> PRELIMINARY CALL FOR PAPERS AND MUSIC
>
> http://www.cin.ufpe.br/~sbcm2001
>
>The Eighth Brazilian Symposium will be held in Fortaleza, the capital
>of Ceara state, from 31 July to 03 August, 2001.
>
>The Brazilian Symposia are organized by NUCOM, the computer
>music branch of the Brazilian Computing Society (SBC) and take
>place within the Annual SBC Congress.
>
>There are key-note speeches by renowned researchers, paper
>sections, music papers, tutorials and demonstrations. Researchers,
>composers, educators, manufacturers and all concerned with the
>interplay between music and technology are invited to submit work.
>
>The general Chair of SBCM2001:
>
>Geber Ramalho
>Universidade Federal de Pernanbuco
>Email: glr@cin.ufpe.br.
>
>
>*Important dates*
>
>06 March 2001: closing date for submitting music-papers
>03 April 2001: closing date for submission of papers
>24 April 2001: notification of acceptance of works
>10 May 2001: closing date for submitting the final version of the papers
>
>
>*Submission of papers*
>
>Papers Chair:
>
>Eduardo Reck Miranda
>Sony Computer Science Lab Paris
>Email: miranda@csl.sony.fr
>
>Topics of interest include, but are not necessarily restricted to:
>
>Acoustic Modelling and Sound Diffusion
>Algorithmic Composition
>Artificial Life and Evolutionary Music Systems
>Artificial Intelligence
>Audio Hardware Design
>Audio Signal Processing
>Computer-Aided Musicology
>Digital Audio Libraries
>Music and Sound on the Web
>Multimedia Integration
>Music Data Structures and Representation
>Musical Databases and Data Mining
>Music Notation, Printing and Optical Recognition
>Psychoacoustics and Cognitive Modelling
>Real-time Interactive Systems
>Sound Compression
>Sound Synthesis
>Systems for Music Analysis
>Systems for Musical Education
>
>Complete papers reporting ongoing or concluded research should be
>submitted (abstracts or incomplete papers will not be accepted).
>
>Note that there are two different categories of papers, both of which
>will be published in the proceedings.
>
>The categories are as follows:
>
>a) Research papers: These papers should report concluded scientific
>and/or technical research results or systems. They must be written in
>English and should not exceed 8 pages;
>
>b) Discussion papers: These papers will discuss ongoing research work.
>They may be written in Portuguese, Spanish or English and should not
>exceed 6 pages.
>
>Please state clearly in a covering front page:
>
>* which of the above topics (if any) best describes your subject matter
>* the paper category that you are submitting (i.e., research or discussion)
>* the name(s) and address(es) of the author(s)
>
>Since the reviewing process is anonymous, the heading of the first page
>of the paper should contain only the title. You are kindly requested
>not to reveal your identity in your paper (avoid self reference etc.).
>Preferred format for submission are RTF, EPS or PDF. Should a
>prospective participant need to submit a paper saved in a format other
>than RTF, PDF or EPS, please check with the papers Chair.
>
>How to submit (in order or preference):
>
>[1] Place your paper in a public domain area of your network and
>send an Email informing the URL or FTP address to E. Miranda
>[miranda@csl.sony.fr] Please write ³SBCM Submission² in the
>subject of your Email.
>
>[2] Send your paper as a file attachment to an Email to E. Miranda.
>[miranda@csl.sony.fr]. Compressed files are preferred (most standard
>compression schemes for Unix, Mac OS or Windows are accepted).
>
>
>As with previous symposia, a selection of *Research papers* will
>be considered for publication in international journals, as appropriate.
>
>
>* Provisional committee of papers *
>
>Aluizio Arcela,, Universidade de Brasilia, Brazil
>Peter Beyls, St Lukas Art School, Belgium
>Marcio Brandao, University of Edinburgh, UK
>Furio Damiani, Universidade Estadual de Campinas, Brazil
>Roger Dannenberg, Carnegie Mellon University, USA
>Giselle Ferreira, Open University, UK
>Francesco Giomi, Centro Tempo Reale, Italy
>Luis Jure, Universidad de la Republica, Uruguay
>Fabio Kon, University of Illinois at Urbana-Champaign, USA
>Victor Lazzarini, National University of Ireland, Ireland
>Pablo di Liscia, Universidad de Quilmes, Argentina
>Mikhail Malt, Ircam, France
>Jonatas Manzolli, Universidade Estadual de Campinas, Brazil
>Alan Marsden, University of Lancaster, UK
>Dennis Miller, Northeastern University, USA
>Giovanni De Poli, University of Padova, Italy
>Geber Ramalho, Universidade Federal de Pernambuco, Brazil
>Stephen Travis Pope, University of California, Santa Barbara, USA
>Petri Toiviainen, University of Jyvaskyla, Finland
>Alvise Vidolin, Venice Music Conservatory B. Marcello, Italy
>Marcelo M. Wanderley, Ircam, France
>Geraint Wiggins, City University, UK
>
>
>*Submission of music papers*
>
>Music papers Chair:
>Didier Guigue
>Universidade Federal da Paraiba
>Email: dguigue@openline.com.br
>
>Composers are invited to submit music papers. A music paper is a
>composition accompanied by a Discussion paper presenting the
>compositional procedures and the role of the computer in the
>compositional process. These papers plus the compositions will be
>refereed by a dedicated committee and will appear in the proceedings.
>
>The music papers will be presented in two concert sessions of 3 papers
>each. Each composer will have 30 minutes in total, for audition,
>communication and discussion.
>
>More details about the music paper sections as well as instructions for
>submission can be obtained directly from the music papers Chair:
>[dguigue@openline.com.br].
>
>More information on submitting a tutorial proposal or a demo section
>will published on the Web. Please watch the symposium¹s Web site
>for up-to-date information: http://www.cin.ufpe.br/~sbcm2001
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