Subject: Re: Analysis References?
From: Simon Emmerson (s.emmerson@city.ac.uk)
Date: Tue Jan 02 2001 - 10:08:49 EST
>I'm currently doing some work on the analysis of 'mixed' electroacoustic
>music (instruments/orchestra plus tape), more particularly looking at Kaija
>Saariaho's "Verblendungen". Does anybody have any references to papers or
>books which might be relevant (possible approaches, problems, examples etc.)
>?
>with thanks
>
>Alan Stones
Dear Alan
here's one I cooked earlier. The JNMR article discusses (amongst other
things) Saariaho's Lichtbogen.
Best wishes,
Simon
Simon Emmerson: publications on live electronic music 1991-2000
'Computers and Live Electronic Music: some solutions, many problems',
International Computer Music Conference Montreal, October 1991
(Proceedings: San Francisco: ICMA, 1991: 135-138)
'Live Electronic Music in Britain: three case studies'. Contemporary Music
Review 6(1) (1991): 179-195
''Live' versus 'real-time'', Contemporary Music Review 10(2) (1994): 95-101
''Local/field': towards a typology of live electroacoustic music',
International Computer Music Conference Aarhus, September 1994
(Proceedings: San Francisco: ICMA, 1994: 31-34), reprinted in Journal of
Electroacoustic Music (Sonic Arts Network 1996) 9: 10-13
'Live performance: how do you know it's me you're listening to?', Report
No.16, Conference proceedings: 'Where Are We, And Where Do We Want To Go?',
Stockholm, Royal Swedish Academy of Music 1995: 9-15
'Analysis of live electronic music' (: 48-50) and
'Electroacoustic music: aesthetic situation and perspectives' (: 51-55);
In: Aesthetics and Electroacoustic Music (Proceedings (Volume I) of the
Académie Internationale de Musique Electroacoustique, Bourges, June 1995),
Paris: Actéon-Mnémosyne 1996 (ISBN: 2-910131-08-4) (Bilingual publication)
'Sentences for Soprano and Electronics: Towards a Poetics of Live
Electronic Music', In: Analysis in Electroacoustic Music (Proceedings
(Volume II) of the Académie Internationale de Musique Electroacoustique,
Bourges, June 1996), Bourges: Mnémosyne 1997 (ISBN: 2-9511363-0-7)
(Bilingual publication), pp.316-318.
'Acoustic/Electroacoustic: the Relationship with Instruments', Journal of
New Music Research 27(1-2) (1998): 146-164
'Aural landscape: musical space', Organised Sound 3(2) (1998): 135-140
''Losing touch?': the human performer and electronics', in Emmerson, S.
(ed.), Music, Electronic Media and Culture, (Aldershot: Ashgate, 2000):
194-216.
*******************************
*Dr Simon Emmerson *
*Reader in Music *
*City University *
*Northampton Square *
*London EC1V 0HB *
*Tel. +20-7477-8273 *
*Fax +20-7477-8576 *
*email: s.emmerson@city.ac.uk *
*http://www.city.ac.uk/music *
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